Central to his work, Schuster says, is drawing. “I draw on paper, on ceramic surfaces using fire and glaze or in space with steel.” The exhibit at the Delavan will consist of drawings and planning models for the concurrent installation at the park, along with recent ceramic works.
Schuster says, “The drawings, visualizations of the stick sculptures at Lipe, are executed on white ground suggesting snow-covered landscapes, and indicating how the finished installation evolves with seasonal environmental changes throughout the year.” Of his ceramic pieces, Schuster says, “The ceramic work is drawn on clay using glaze and controlled flame patterns produced by a high temperature wood fired kiln, producing loose geometric interventions on the clay’s surface.”
In a recent artist’s statement, Schuster offers insight into a new series of large-scale sculptures he is currently working on that incorporate natural elements, creating pieces that are both interactive with viewer and their surroundings. “The creation of this series of work,” he says, “combines my interests both in sculpture and in natural cycles, and will entail more of an imposing scale than anything I’ve previously attempted.”
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